The Kinoeye archive
A chronological index of articles that
have appeared in volume 1 (2001) of Kinoeye

Welcome to the Kinoeye archive. The ultimate aim of the archive is to provide a near-as-damn-it definitive index of intelligent and thoughtful English-language analysis of cinema from the new Europe on the web. This page only covers articles that have appeared in Kinoeye the journal, and not articles that appeared in the Kinoeye column in Central Europe Review prior to September 2001 or articles on external sites. Use one of the other archive pages or the search page to locate articles from these sources.

• Return to the main articles page
• Go to the volume 2 (2002) articles page
• Go to the volume 3 (2003) articles page
• Go to the volume 4 (2004) articles page

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Vol 1, Issue 1

• Front page
• Editorial: Bringing the fringes back into focus
• The melancholy of resistance: The films of Béla Tarr
  by Peter Hames
• Rich rewards in simpler forms: Russian films at Karlovy Vary
  by Andrew James Horton
• Germany's secret history: Stefan Ruzowitzky's Anatomie (Anatomy, 2000)
  by Steffen Hantke

Vol 1, Issue 2

• Front page
• Brighter than all the stars in Hollywood: 7th Sarajevo film festival
  by Brian J Požun
• Caught in the middle: Danis Tanović's No Man's Land (2000)
  by Ilya Marritz
• Seeking truth between the bombs and bullets: Balkan war films at Karlovy Vary
  by Andrew James Horton

Vol 1, Issue 3

• Front page
• Slovene film makes a splash at the Lido:
  Jan Cvitkovič's Kruh in mleko (Bread and Milk, 2001)
  by Brian J Požun
• Looking back at Macedonia's Marlon Brando: 9th Risto Šiškov festival
  by Igor Pop Trajkov
• Concern for the devil: Polish film at Karlovy Vary
  by Andrew James Horton
• Train ride to nowhere:
  Pál Sándor's Szerencsés Dániel (Daniel Takes a Train, 1983)
  by Andrew James Horton

Vol 1, Issue 4

• Front page
• Croatia's Bronx goes avant garde: Split flm festival
  by Jurica Pavičić
• Bystré is paradise: Roman Vávra, Miroslav Janek and Vít Janeček's
  Bitva o život (Battle for Life, 2000)
  by Peter Hames
• Going back to Brno:
  George Agathonikiadis's Podzimní návrat (Returning in Autumn, 2001)
  by Mark Preskett
• The wounds that never show:
  Ferenc Moldoványi's Деца-Fëmijët (Kosovo 2000)
  by Andrew James Horton
• The fright of real theory: Slavoj Žižek's new book on Kieślowski
  reviewed by Alexei Monroe
• The unacceptable cost of being moral
  Krzysztof Zanussi's Opowieści weekendowe (Weekend Stories, 1996-97)
  by Josephine Woll

Vol 1, Issue 5

• Front page
• Worlds apart: Petr Václav's Paralelní světy (Parallel Worlds, 2001)
  by Ivana Košuličová
• A little too desperate for an Oscar?:
  Jan Svěrák's Tmavomodrý svět (Dark Blue World, 2001)
  by Mark Preskett
• The buzz of seeing:22nd Manaki Brothers festival
  by Igor Pop Trajkov
• A spirit in the air: Vatroslav Mimica interviewed
  by Andrew James Horton
• With them, I'm howling:
  Guillaume Radot's Le Loup des Malveneur (The Wolf of the Malveneurs, 1942)
  by Frank Lafond

Vol 1, Issue 6

• Front page
• Only the images: A profile of the late Jan Lenica
  by Daniel Bird
• This is what I live for: Miroslav Ondříček interviewed
  by Igor Pop Trajkov
• Invisibility and repression:
  Jiří Svoboda's Prokletí domu Hajnů (The Damned House of Hajn, 1988)
  by Steven Jay Schneider

Vol 1, Issue 7

• Front page
• Will the last person to leave the country please turn out all the lights:
  Fatmir Koçi's Tirana Year Zero (2001)
  by Andrew James Horton
• How to make a film in a country with no film industry:
  The making of this year's Albanian hits
  by Andrew James Horton
• For God and country (or maybe not): Jerzy Kawalerowicz interviewed
  by Ray Privett
• The guilt on both sides: Leszek Wosiewicz's Kornblumenblau (1988)
  by Monika Braid
• Just another fashion victim:
  Mario Bava's Sei donne per l'assassino (Blood and Black Lace, 1964)
  by Reynold Humphries

Vol 1, Issue 8

• Front page
• Once upon a time there was a tolerant country...:
  Brane Mozetič, organisor of Ljubljana's Festival of Gay and Lesbian Film, interviewed
  by Brian J Požun
• If Freud made films...:
  Chairman of the 1st European Psychoanalytic Film Festival,
  Andrea Sabbadini, interviewed
  by Steven Jay Schneider
• Down in the gutter, looking up at the stars:
  Faruk Sokolović's Mliječni put (Milky Way, 2000)
  by Andrew James Horton
• Being 20, 40 years later:
  Marlen Khutsiev's Mne dvadtsat' let (I Am Twenty, 1961)
  by Josephine Woll
• Dangerous words:
  Rumle Hammerich's Svart Lucia (Black Lucia, 1992)
  by Peter Hutchings

 

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