The Kinoeye archive
A chronological index of articles that
have appeared in volume 2 (2002) of Kinoeye

Welcome to the Kinoeye archive. The ultimate aim of the archive is to provide a near-as-damn-it definitive index of intelligent and thoughtful English-language analysis of cinema from the new Europe on the web. This page only covers articles that have appeared in Kinoeye the journal, and not articles that appeared in the Kinoeye column in Central Europe Review prior to September 2001 or articles on external sites. Use one of the other archive pages or the search page to locate articles from these sources.

• Return to the main articles page
• Go to the volume 1 (2001) articles page
• Go to the volume 3 (2003) articles page
• Go to the volume 4 (2004) articles page

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Vol 2, Issue 1, 7 Jan 2002

Strach : Czech film's love affair with fear and horror

• Front page
• Drowning the bad times: Juraj Herz interviewed
  by Ivana Košuličová
• To excess: The grotesque in Juraj Herz's Czech films
  by Daniel Bird
• Gothic at heart:
  Juraj Herz's Spalovač mrtvol (1968) and Morgiana (1971)
  by Ian Conrich
• The morality of horror: Jiří Barta's Krysař (The Pied Piper, 1985)
  by Ivana Košuličová
• Who's afraid of... Big Brother?
  Karel Kachyňa's Ucho (The Ear, 1970)
  by Steven Jay Schneider
• Bringing up baby:
  Jan Švankmajer interviewed about Otesánek (Little Otík, 2000)
  by Peter Hames
• An alchemist's nightmares: Extracts from Jan Švankmajer's diary
  by Jan Švankmajer
• Dark wonders and the Gothic sensibility:
  Jan Švankmajer's Něco z Alenky (Alice, 1987)
  by Brigid Cherry
• The bare bones of horror:
  Jan Švankmajer's Kostnice (The Ossuary, 1970)
  by Jan Uhde
• Švankmajer links: Further Švankmajer resources on the web

Vol 2, Issue 2, 21 Jan 2002

• Front page
• "This film is dangerous":
  Artur Aristakisian defends his Mesto na zemlie (A Place on Earth, 2001)
  by Christina Stojanova and Artur Aristakisian
• Taking off and not taking off:
  The third Bratislava International Film Festival
  by Peter Hames
• Demanding work, but always creative:
  Ondrej Šulaj and Dušan Dušek interviewed
  by Peter Hames
• Boiling oil and baby oil
  Massimo Pupillo's Il boia scarlatto (Bloody Pit of Horror, 1965)
  by Leon Hunt

Vol 2, Issue 3, 4 Feb 2002

• Front page
• In search of hapiness: Želimir Žilnik interviewed
  by Igor Pop Trajkov
• The infinite journey:
  Aleksandr Sokurov's Elegiia dorogi (Elegy of a Voyage, 2001)
  by Andrew James Horton
• Screening the Balkans:
  Dina Iordanova's book Cinema of Flames: Balkan Film, Culture and the Media
  by Alexei Monroe
• Sympathetic spectators
  Roman Polanski's Le Locataire (The Tenant, 1976)
  by Aaron Smuts

Vol 2, Issue 4, 18 Feb 2002

• Front page
• The smell of things: Ibolya Fekete interviewed
  by George Clark and Laurin Federlein
• From the battlefield to a cinema near you:
  Danis Tanović's No Man's Land and Ibolya Fekete's Chico
  by Felicitas Becker
• Diverse opinions:
  The press on Ibolya Fekete's Chico
  by Enikő Csíkos
• A hand full of horrors:
  Maurice Tourneur's La Main du diable (The Hand of the Devil, 1942)
  by Frank Lafond
• Of mad love, alien hands and the film under your skin:
  Some further meditations on the horror of identity
  by Ruth Goldberg

Vol 2, Issue 5, 4 March 2002

• Front page
• More than education: Jerzy Stuhr interviewed
  by Andrew James Horton
• Teenage murderesses and monster babies:
  The portrayal of young people in recent central European film
  by Felicitas Becker
• Child victims and excessive signifiers:
  Lars von Trier's Forbrydelsens element (The Element of Crime, 1984)
  by Rebecca A and Samuel J Umland

Vol 2, Issue 6, 18 March 2002

• Front page
• The female face of moral concern: Krystyna Janda interviewed
  by Andrew James Horton
• Heroines, sex bombs, ordinary women:
  The depiction of women in film by Polish female directors
  by Małgorzata Radkiewicz
• In the absence of love: The films of Dorota Kędzierzawska
  by Monika Braid
• The thousand ties to Dr Ood:
  Victor Trivas's Der Nackte und der Satan (The Head, 1959)
  by David Del Valle

Vol 2, Issue 7, 15 April 2002

Blood poetry: The cinema of Jean Rollin

• Front page
• Exoticism and eroticism in French horror cinema
  A brief introduction to the world of Jean Rollin
  by David Kalat
• Clocks, seagulls, Romeo and Juliet
  Jean Rollin interviewed
  by Andy Black
• "You are the only memory I have right now":
  Jean Rollin's La Nuit des traquées (Night of the Hunted, 1980)
  by Gary D Rhodes
• The universe of madness and death: Jean Rollin's Fascination (1979)
  by Brigid Cherry
• The romance of childhood:
  Jean Rollin's Lèvres de sang (Lips of Blood, 1975)
  by Doug Sparks

Vol 2, Issue 8, 29 April 2002

Věra Chytilová: Permanent rebel

• Front page
• Angry young girls
  Gender representations in the films of Věra Chytilová
  by Małgorzata Radkiewicz
• The void behind the mask
  Game-playing in the films of Věra Chytilová
  by Ivana Košuličová
• "Now I don't know how to keep on going"
  The early films of Věra Chytilová
  by Jiří Cieslar
• Against destruction
  Věra Chytilová's Panelstory (Prefab Story, 1979)
  by Andrew James Horton
• Bones, bones, bone-eater
  Věra Chytilová's Pasti, pasti, pastičky (Traps, 1998)
  by Jaromír Blažejovský
• Naked allegory
  Věra Chytilová's Vyhnání z ráje (Expulsion from Paradise, 2001)
  by Dora Viceníková
• Chytilová on the web
  compiled by Sarah Andrews

Vol 2, Issue 9, 13 May 2002

• Front page
• Hope in the face of adversity
  Slovene cinema & the Portorož Festival of Slovene Film
  by Brian J Požun
• Small town on the edge
  Saša Đukić's Na svoji Vesni (On My Darling Vesna, 2002)
  and the Novo Mesto scene
  by Brian J Požun
• Growing pains
  Skopje Film Festival 2002
  by Ivo Pop Trajkov
• Surprising origins
  Florentine 18th-century wax anatomical models as inspiration for Italian horror
  by Annette Burfoot

Vol 2, Issue 10, 27 May 2002

• Front page
• The ad that failed
  The making and uses of Géza Bereményi's A Hídember (The Bridgeman, 2002)
  by Felicitas Becker
• A high between two lows?
  The 2002 Diagonale festival of Austrian film
  by Herbert Krill
• How much for your soul?
  Dimitar Petkov's Opashkata na diavola (The Devil's Tail, 2001)
  by Irena Ivanova
• A closet full of brutality
  Volker Schlöndorff's Der Junge Törless (Young Torless, 1966)
  by Christopher Dietrich
• "Don't go in there!"
  European films at the 20th Brussels International Fantastic Film Festival
  by Frank Lafond

Vol 2, Issue 11, 10 June 2002

Assault on the senses: The horror legacy of Dario Argento

• Front page
• Playing with genre
  An introduction to the Italian giallo
  by Gary Needham
• Intimations (and more) of colonialism
  Dario Argento's L'Uccello dalle piume di cristallo
  (The Bird With the Crystal Plumage, 1970)
  by Frank Burke
• From punctum to Pentazet, and everything in between
  Dario Argento's Il gatto a nove code (The Cat O' Nine Tails, 1971) and Quattro mosche di velutto grigio (Four Flies on Grey Velvet, 1972)
  by Gary Needham
• The principles of association
  Dario Argento's Profondo rosso (Deep Red, 1975)
  by Aaron Smuts
• The "mother" of all horror movies
  Dario Argento's Suspiria (1977)
  by Linda Schulte-Sasse
• For the love of smoke and mirrors
  Dario Argento's Inferno (1980)
  by Jodey Castricano

Vol 2, Issue 12, 24 June 2002

Assault on the senses: The horror legacy of Dario Argento (Part 2)

• Front page
• Transgressive drives and traumatic flashbacks
  Dario Argento's Tenebrae (Unsane, 1982)
  by Xavier Mendik
• Visions of deformity
  Dario Argento's Phenomena (1985)
  by Donald Campbell
• A dangerous mind
  Dario Argento's Opera (1987)
  by Michael Sevastakis
• Talking heads, unruly women and wound culture
  Dario Argento's Trauma (1993)
  by Linda Badley
• Female subjectivity and the politics of "becoming other"
  Dario Argento's La sindrome di Stendhal (The Stendhal Syndrome, 1996)
  by Colette Balmain
• Trains of thought
  Dario Argento's Non ho sonno (2000)
  by Reynold Humphries

Vol 2, Issue 13, 9 Sept 2002

• Front page

Through the past to the present: Russian films at Karlovy Vary

• Elegy to history
  Aleksandr Sokurov's Russkii kovcheg (Russian Ark)
  by Andrew James Horton
• Auteurs old and new
  Aleksandr Rogozhkin's Kukushka (Cuckoo), Kira Muratova's Chekhovskie motivy (Chekhovian Motifs), Sergei Potemkin's Mashina prishla (The Machine is Here), Valery Fokin's Prevrashchenie (Metamorphosis)
  by Andrew James Horton
• Musing gangsters
  Sergei Bodrov's Sestry (Sisters), Ekaterina Kharlamova's Memorabilia—sobranie pamjaatnykh veshchei (Memorabilia—A Collection of Memorable Things), Aleksandr Strizhenov and Sergei Ginsburg's Upast' verkh (Falling Up), Konstantin Murzenko's Aprel' (April), Valery Rybarev's Prikovanni (The Chained One)
  by Andrew James Horton
• Back into the past
  Nikolai Lebedev's Zvezda (The Star), Aleksandr Kott's
  Ekhali dva shofera (Two Drivers)
  by Andrew James Horton

The hidden face of horror:
Georges Franju's Les Yeux sans visage (Eyes without a Face, 1959)

• Dr Franju's "House of Pain" and the political cutting edge of horror
  by Reynold Humphries
• A film without politics by Curtis Bowman
• Anxiety, ethics and horror by Elizabeth Cowie

Vol 2, Issue 14, 23 September 2002

• Front page
• Boxing out the rage
  Vadim Jendreyko's Bashkim (2001)
  by Jeta Xharra
• Overcoming society
  Peter Naess's Elling (2001)
  by Johan Åhlund
• The cinema that is
  Marek Haltof's Polish National Cinema
  by Sheila Skaff
• Conspicuous consumption
  Ulli Lommel's Zärtlichkeit der Wölfe (Tenderness of the Wolves, 1973)
  by Jay McRoy
• Mundanity before murder
  Profondo rosso (Deep Red, 1975)
  by Julian Coldrey

Vol 2, Issue 15, 7 October 2002

• Front page
• In search of the unknown
  Viesturs Kairišs's Pa celam aizejot (Leaving by the Way, 2001)
  by Andrew James Horton
• Way out west
  Oldřich Lipský's Limonádovy Joe aneb koňská opera (Lemonade Joe, 1964)
  by Peter Hames
• Ways of seeing
  The import and distribution of films in Slovenia since 1991
  by Aleš Pavlin
• Woman as vampire
  Ingmar Bergman's Persona (1966)
  by Daniel Shaw

Vol 2, Issue 16, 21 October 2002

• Front page
• Pages of desire
  Sergiu Prodan and Viorica Mesina's
  Patul lui Procrust
  (The Procrustean Bed, 2001)
  by Andrew James Horton
• Runaway groom
  Josef Fares's Jalla Jalla (2000)
  by Johan Åhlund
• Animated anxiety
  Jan Švankmajer, Surrealism and the "agit-scare"
  by Paul Wells

Vol 2, Issue 17, 4 November 2002

• Front page
• Lyric landscapes and living hell
  Film at the Out of Bosnia season in London
  by Andrew James Horton
• Power, paedophilia, perdition
  Agustín Villaronga's Tras el cristal (In a Glass Cage, 1986)
  by Chris Gallant
• Tales from the darkside
  The international horror market flexes its muscles at the 3rd Lupo Frightfest Film Festival in London
  by Simon Wilkinson

Vol 2, Issue 18, 18 November 2002

• Front page
• A pokolenie now?
  Mariusz Front's Portret podwójny (Double Portrait, 2001)
  by Andrew James Horton
• Cut the blabber
  György Pálfi's Hukkle (2002)
  by Andrew James Horton
• War, what is it good for?
  Aleksei Balabanov's Voina (War, 2002)
  by Andrew James Horton
• The vampire transformed
  Riccardo Freda and Mario Bava's I Vampiri (1956)
  by Stacey Abbott
• The Shadow Trickster in Italian horror cinema
  Mario Bava's Gli orrori del castello di Norimberga (Baron Blood, 1972) and Lisa e il diavolo (Lisa and the Devil, 1972)
  by James Iaccino

Vol 2, Issue 19, 2 December 2002

• Front page
• Conserving the Rusyn flower in the bouquet of Europe
  Juraj Jakubisko's Farebné kamienky (Painted Pebbles, 2002)
  by Brian J Požun
• As I was lying
  Alice Nellis's Výlet (Some Secrets, 2002)
  by Andrew James Horton
• The "wonderfully scary monster" and the international reception of horror
  Ridley Scott's Hannibal (2001)
  by Ernest Mathijs

Vol 2, Issue 20, 16 December 2002

• Front page
• Weirdness through simplicity
  Roman Polanski's The Pianist (2002) in relation to Władysław Szpilman's book
  by Wojtek Kość
• Fragmented self in a shattered mirror
  Martina Kudláček's In the Mirror of Maya Deren (2001)
  by Andrei Khrenov
• Montage, music and memory
  Remembering Deutschland im Herbst (Germany in Autumn, 1978)
  by Melissa Ursula Dawn Goldsmith
• An adaptation with fangs
  Werner Herzog's Nosferatu: Phantom der Nacht (Nosferatu the Vampyre, 1979)
  by Garrett Chaffin-Quiray

 

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