Kinoeye: New perspectives on European film

Vol 3
Issue 8
14 July
2003

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Dariusz JablonskiPOLAND
In our country, a producer is only a manufacturer
Dariusz Jabłońkski, president of Poland's Association of Independent Film and TV Producers, interviewed

Surverying the changes to the Polish industry since 1989, Jabłońkski complains to Felicitas Becker about the problems faced from politicians, tardy distributors, TV producers and changing audience tastes.

Danijel HocevarSLOVENIA
We need to unite
Leading Slovene producer Danijel Hočevar interviewed

Despite having impressed festivals such as Venice and Berlin with his fare, Hočevar tells Igor Pop Trajkov that southeast European producers should not look to Western funding for their projects but should band together.

From the archive

Auli Mantila's Pelon maantiede (Geography of Fear, 2000)HORROR
Body horror and the gender of space and city
Auli Mantila's
Pelon maantiede
(Geography of Fear, 2000)

Tarja Laine here looks at how Pelon maantiede, a recent Finnish thriller by Auli Mantila, renders the bodily experience of urban space a matter of social identity.

HORROR
Antonio Margheriti and Paul Morrissey's Il mostro e in tavola, barone Frankenstein (Flesh for Frankenstein, 1974)Italian perversions
Antonio Margheriti and
Paul Morrissey's
Il mostro é in Tavola, Barone Frankenstein (Flesh for Frankenstein, 1974) and
Dracula cerca sangue di vergine... e morì di sete!
(Blood for Dracula, 1974)

Examining the "paradigms of perversion" in two films by the unlikely team of Paul Morrissey and Antonio Margheriti, Patricia MacCormack shows how Italian horror "demands... that viewers reorient their own specifically cinematic libidinal expectations."

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