Kinoeye: New perspectives on European film

Vol 4
Issue 3
26 July
2004

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Philippe Grandrieux's La Vie nouvelle (The New Life, 2002)FRANCE
Dance girl dance
Philippe Grandrieux's
La Vie nouvelle
(The New Life, 2002)

In this eloquent discussion (and passionate defense) of Grandrieux's second feature, Adrian Martin examines the controversial French filmmaker's "punk-Sadean view of the human animal and crumbling social structures".

Zornitsa Sophia's Mila om Mars (Mila from Mars, 2003)BULGARIA
Leapfrogging
into the present

The 8th Sofia International
Film Festival

A few years ago, Sofia's film festival was little more than a local rock festival with some videos showing. Ronald Holloway takes a look at this growing international event, paying special attention to Bulgarian films.

Film and identity in Benelux

Andy Bausch's Le Club des chomeurs (The Unemployment Club, 2002)LUXEMBOURG
Other faces
Andy Bausch's
Le Club des chômeurs
(The Unemployment Club, 2002)

Popular with audiences and controversial with critics, Le Club des chômeurs evokes the faded remains of Luxembourg's industrial glory to illustrate the identity of this "in-between," multicultural nation. Gérard Kraus examines Luxembourg's answer to The Full Monty.

Paul Verhoeven's Turks fruit (Turkish Delight, 1973)THE NETHERLANDS
Starting out national
Paul Verhoeven's Turks fruit (Turkish Delight, 1973)

Verhoeven's glittering career in Hollywood making blockbusters disguises a lesser-known past making Dutch-language films, including directing what is acclaimed as the best Dutch film of all time. Matt Ross investigates.

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